Sync Placement

We place music in film, TV, adverts, games, trailers, brand and online projects. We pitch directly and through agencies in different countries.

A placement needs a sync licence covering the song and, if the original recording is used, the recording. We arrange it.

How We Help

  • Finding the Right Projects

    We look for briefs and productions where your music could fit.

  • Pitching Your Music

    We pitch your music to music supervisors and the teams choosing tracks for a project.

  • Working with Partner Agencies

    We work with agencies in different countries, so your music can be considered for projects beyond our own pitches.

  • Handling the Paperwork

    When a project wants the track, we work through the terms with the production and arrange the sync licence.

  • Following the Income

    We track the fee and any broadcast royalties due to the writers and owners.

What Makes a Track Placement-Ready

Music supervisors often work to tight deadlines. A track is easier to place when nothing needs chasing.

  • Clear ownership of the song and the recording, with every co-writer and owner known
  • Splits agreed in writing
  • Instrumental and clean versions
  • Stems, if you have them
  • Accurate metadata: titles, writers, publishers and codes
  • Samples cleared, if any were used

Who It’s For

  • Songwriters and artists
  • Labels and catalogue owners
  • Music publishers

How It Works

  • Send Us Your Music

    Send links to your tracks, with the writers and recording owners for each.

  • We Check the Rights

    We confirm who controls the song and the recording, and which versions you have.

  • We Pitch and Place

    When a project is a good fit, we put your music forward ourselves or through a partner agency. If it’s chosen, we arrange the licence.

Questions

How is a placement paid?

The production pays a fee for the use. The amount depends on the budget, how the music is used, where the work is shown and for how long. If the original recording is used, the song and the recording are each licensed and paid for. When the work is broadcast, royalties may also be due to the writers and owners.

Do I need to own both the song and the recording?

No. You can put forward whichever part you control. If a project uses the original recording, it needs permission for both, so it helps to know who controls each one.

Do I keep my rights?

Yes. A placement licenses the music for that one project. You still own it.

Have Music That Could Work on Screen?

Send us links to your tracks and tell us who wrote and owns them.

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